In Coralie Fargeat's brand-new feminist horror flick The Substance, harmful popular appeal criteria are the true monsters. They (female objectification, the fingertip of "the outdated," the proliferation of an industry built on body customization) feed a beast of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://muto-vs-shockirus.targetblogs.com/30508156/margaret-qualley-in-the-substance